Release date: August 27, 2021
Running time: 91 minutes
Director: Nia DaCosta
Screenplay by: Jordan Peele, Win Rosenfeld, and Nia DaCosta
Starring: Yahya Abdul-Mateen II, Teyonah Parris, Nathan Stewart-Jarrett, Colman Domingo
For as long as residents can remember, the housing projects of Chicago’s Cabrini-Green neighborhood were terrorized by a word-of-mouth ghost story about a supernatural killer with a hook for a hand, easily summoned by those daring to repeat his name five times into a mirror. In present day, a decade after the last of the Cabrini towers were torn down, visual artist Anthony McCoy (Yahya Abdul-Mateen II) and his partner, gallery director Brianna Cartwright (Teyonah Parris), move into a luxury loft condo in Cabrini, now gentrified beyond recognition and inhabited by upwardly mobile millennials. But does the ghost still exist even though the neighborhood has changed?
Candyman is Jordan Peele and Nia DaCosta's reimagining of the classic horror film and wow am I glad they got a hold of this. The new version drips with style right from the start. In fact, the film starts with a mirror world type feel with the splash screen shown backwards. And the text in the sequence is the stylized Candyman text that evokes a papercraft feel that will make sense later in the film. The opening has hints of a mirror world and the bee theme of Candyman by showing upside down buildings and things that look like hives. Candyman also has some really great sequences showing paper cut out storytelling to both give it a classic feel and feels very fresh. The movie also has some great music and moves the legend more towards a social justice message, both of which give the film a decidedly more modern feel.
And the film has a nice slow buildup, like every good horror movie should. It takes its time to set the stage and really lay the framework for the legend, giving the audience plenty of background. But that's not to say that the film gives all the secrets away during the buildup, there are still revelations that occur throughout. And the film is just a good horror movie through and through, from the slow buildup to the brutal effects. There isn't a lot of gore, but when it's there, it is very well done with solid practical effects to ensure that everything looks as real as possible.
However, although Candyman is a fresh reimagining of the story, it feels a little incomplete. The rules for the killer seem simple at first, but don't necessarily conform as the movie progresses. And I absolutely loved the social justice focus for Candyman; it seems like a great way to use horror, but it doesn't feel like it is fully realized. It feels like an important message and one that should be explored, but melding it with this existing Candyman property didn't seem to mesh. And finally, there were some weird reactions to the Candyman kills that just felt a little off. I will say that apparently seeing the 1992 Candyman helps a lot with the comprehension, but as I hadn't seen it there was some story confusion for me.
Candyman is a fresh take on the classic horror film that is dripping with both style and blood, and a focus on social justice that uses horror to impart an important message.
Watch it.
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